Art in the Third Millennium
The following is a small part of the teachings of the illustrious Professor L. J. Vinardi.
Levels of Art
Four levels of Art can be distinguished.
1. Art that has its center of gravity in the physical aspect; commemorative monuments, mausoleums, Gothic cathedrals, altars, paintings.
2. Art that is centered on the emotional aspect and the work of sensitivity. The need to manifest subtler emotions or nuances requires a more flexible language than that of classicism, and thus explains the supremacy of melody over form. The compositions of Chopin, Liszt, and Schumann in music are examples of this form of art.
3. Art of a predominantly intellectual character. Its center of gravity lies in the science of counterpoint, in proportions, measures, and combinations. Examples include Cubist painting, serial and electronic music.
4. Other levels of Art, including Objective Art.
Objective Art
What does Objective Art mean?
It is "synthesis."
It represents a point that is not existential but essential, that is, transcendent and permanent; <<.....it is interpreted in the same way and produces the same effects in beings of the same (Objective level of knowledge).
For example: in front of a work of "Objective Art," two individuals whose states of knowledge are at the equivalent level will notice the same effects and perceive the objective meanings in it.
Objective Art is always the result of an Objective Knowledge, evaluable only based on the degree of knowledge and never for the unconscious aspect. Starting from this premise, it will then be understood that the material form in which any work of art of such a level is presented will simply be the external manifestation of a much deeper content, evaluable only by those who possess a level equal to that of the artist who created it. ......An Objective Work of Art is objectively valid even in the languages of other forms of knowledge. >>
Examples of this type of Art are the pyramids, both Egyptian and American, where their artistic equivalent is integrated with the religious aspect, all fused into a philosophy, both in the symbolic aspect and in the functional one, << the Venus de Milo, whose measurements correspond to the canons of the "Divine Proportion" or "Golden Ratio" and to the numbers 23, 28, and 33, called by the Greeks universal rhythmic numbers; these numbers are the same that we find in the pyramids, in Pythagorean mathematics, etc., and at the same time are the basis of human biorhythms. >>
<<.....art is a means to approach the whole through the symbol...the symbol is the sum, the synthetic representation of all expressive means, from gesture to attitude, from word to sound, from color to form to movement.>>
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