The Art of the Palette
The gift of this skilled painter is the ability to use the art of the palette in a meaningful way. In this context, he approaches it with undeniable talent, drawing from the lessons of the French informal school of the 1970s. His painting is elegantly gestural, well-considered in the choice of palette, where the chromatic dialogue is vibrant and well-orchestrated.
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Paolo levi
Admirable Tonal Execution
We are facing an interesting work of the European informal school, which indirectly looks at the abstract expressionism of the American Franz Kline. We must acknowledge our painter for working with talent through an admirable tonal execution.
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Stefania Bison
The Magmatic Use
of Color
Getting to know the artistic expression of Nunzio Di Fabio is like venturing into a distant, precious island, full of suggestions that stimulate reflection, of images that are symbols and metaphors of emotions in their skillful gradation of tones and colors. The artist, through the magmatic use of color, evokes a dreamlike space, lost in the abstract dimension. The emotional language of the colors permeates the gaze and reaches the most intimate part of the observer, creating connections and transfers with their own inner worlds.
Sandro Serradifalco
Original and Fascinating Painting
The fusion of different emotional tones and the power that creativity expresses allow for exchanges of matter, sudden and simultaneous physical changes in the works of Nunzio Di Fabio, resulting from the force or "vis magica" of physical elements and the chemistry of color, as in an alchemical process.
Nunzio Di Fabio's original and fascinating painting offers us polymorphic and unprecedented visions of experience, emotional elucidations, unconscious projections of the self, in a style that synthesizes figurative, abstract, and surreal motifs in varied inlays, with elegant clarity and symbolic depth.
Salvatore Russo
The Gardens of the Soul
Nunzio Di Fabio proposes a surreal module from whose finesse the gardens of the soul emerge. Similar to seals that exalt fertility, they adopt a language that has wavelengths between heaven and earth, forming luminous effects, lengths and arcs, imprints on the material, memory cards in the vibratile compendium of air and light: the style radiates energy. It is a combination of solar sumptuousness, of ancient appeal, that exalts creation and synthesizes the world. Di Fabio proclaims through images the path of perfection, that is, the magnificence of order from which the reasons for being develop. Openings towards becoming, in a planetary vision, reveal inner capacity, so much so that the colors testify to the torment between seeking and proposing. The author renders the form indeterminate although something magical develops from it. The "primordial swans" and "flame in the garden" could be the answer to a series of questions. What is the principle of beyond? There is a mysterious line beyond which time does not flow. Apparently inert, the mystery continues to propagate light. Di Fabio aspires to its beauty and transforms it into works. These are the ties with history, the requisites of being, the testimony of a rite celebrated with extreme balance. The love for Creation elegantly provides him with the creative system. Thus, from the abyssal depths, the need to propose, to align one's nature before the prospective dynamism in which life takes place emerges. Di Fabio develops the theme by linking the real to the surreal, to fulfill an inner need and to shape the images according to a principle of eternity. Art follows the footprints of Creation. Everything has been done. On the memory cards, the cosmic masterpiece is reflected. The painter translates its enchantment into visual ferment in which heaven and earth triumph in infinitesimal particles, which nevertheless celebrate beauty and depth. From the whole, the sense of love emerges. And this is the triumph..
Maria Teresa Palitta
Color, Rhythm, Music
Nunzio Di Fabio has always been a prominent devotee of chromaticism understood as an expression of the soul, and in his works, he reaches high peaks of intense drama and emotional involvement. The color, applied resolutely with broad swaths and spatula work, perfectly conveys the creative genius of the composer and artist. In the rhythmic alternation of warm and cool tones, Di Fabio represents scales of notes and musical movements, emotions, and sensations of the spirit, interpreting with technical skill and a splendid dynamic sense a sensory journey.
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Guido Folco – Elisa Bergamino
Energy That Emanates
from the Marks
Nunzio Di Fabio works with color and light to imagine surreal presences. The energy that emanates from the marks and the movement of the brushstroke and spatula merges with the allegorical and evocative image, which always allows the freedom of expression and imagination to explode.
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Guido Folco
Colors with Dense
Emotional Character
After the great lesson that from Picasso to Braque to Pollock has led to the disintegration of the figurative, the expression of the feeling of the painter Nunzio Di Fabio can only be entrusted to color and its rhythm, its destiny, the material, its thickness, and the dynamism that the artist imparts to it. These are the elements that, integrating into a new whole, give the concrete sense of Di Fabio's consciousness. The painter plays precisely on these elements and does so with stylistic intelligence. He manages to leave on the canvas the imprint of his feeling, of his pictorial universe, through the dynamics expressed in the chromatic material and the selection of colors with dense emotional character.
Livio Garbuglia
In & Out
In Nunzio Di Fabio's "Nudo Conchiglia" (Shell Nude), the woman becomes stone and shield to protect herself from the world, in the apparent and desperate attempt to hide. Even from herself. But above all, she is a pulsing heart, in the attempt to render a new life and new energy to the horizon. Once again, rooted, perhaps violated, the woman renounces herself to generate fruits.
Valeria Arnaldi
Chromatic and Spatial Research
Nunzio Di Fabio's pictorial research is a chromatic and spatial ensemble, aimed at an abstraction in which the body of art rises to a universal symbol.
The coloristic perspective is rendered by the form-color determinations, observing rhythm, energy, dynamism in relation to the general compositional strategy.
Livio Garbuglia
